Reviews
CD Reviews
(click on any title to see reviews for that recording)
POSITIVELY 4TH STREET
AIN'T NOBODY WORRIED
Celebrating Great Women Of Song
PROVE IT ON ME
Groundbreaking Women
Of The Blues
A WOMAN'S SOUL
A Tribute to Bessie Smith
KEEPIN' OUTTA TROUBLE
A Tribute to Bukka White
HARD LUCK CHILD
A Tribute to Skip James
AVALON
A Tribute to Mississippi John Hurt
I BELONG TO THE BAND
A Tribute to Reverend Gary Davis
SHAKE EM' ON DOWN
A Tribute to Mississippi Fred McDowell
BLUES WALKIN' LIKE A MAN
A Tribute to Son House
Live Performance Reviews
Rory Block Escapes into Her Soul at Caffe Lena 9/17/24
By Don Wilcock
In the 42 years I’ve known Rory Block she has always been way ahead of the curve. From the first note I ever heard from her on acoustic blues guitar in 1972 she could match the prowess of the legendary delta blues artists she emulates including Son House, Mississippi John Hurt, Bukka White – the list goes on. At a time when society not only considered women playing guitar to be an anomaly, but the idea that she was as good – or even better than – her mentors was too outrageous even to be considered.
Along with her friend Bonnie Raitt she has become a standard against which the women’s movement can be measured. She’s not just the best woman guitarist in traditional blues, but for my money she’s the best period. When I last saw her live in Valatie in 2023, she drove those old delta blues numbers home with a jack hammer intensity that took my breath away. At Caffe Lena Sunday night 8/17/24 she was no less intense, but mellower in her delivery.
Thematically, she has once again reinvented herself. On her just released album Positively 4th Street, she covers Dylan, and not just the heavy hitters of his career but some of his more obscure stuff like “Ring Those Bells” and “Mother of Muses.” And she doesn’t do it the way Betty LaVette does the Stones where you have to think twice about where you’ve heard any particular song before. Instead, she covers the song like she does on all her delta blues mentor records. She gets into these influences almost like she’s inhabiting their spirit, their lifeblood.
In delta blues, the guitar comes first. With Dylan the vocals are out in front, and the lyrics drive the delivery. Not that we always understand them, but they tend to define us as a society by osmosis. At this Caffe Lena performance she went back and forth between blues and whatever words you want to choose to describe what Dylan does.
Informal as a chance late afternoon visit with a friend, Rory’s show ran over by almost an hour. Like a kid in a candy store, she scrolled down a computer screen in front of her, cherry picking from a long list of songs. From her Positively 4th Street album she did the title cut, “Not Dark Yet” (“I was born here and will die here, too/It’s not dark but it’s getting there.”) and “A Hard Rain’s a Gonna Fall.” Dylan songs not on the album included “Sweetheart Like You,” “Girl from The North Country,” “Sweetheart Like You,” and “Man in the Long Black Coat.”
Classic blues numbers included Son House’s signature song “Death Letter Blues” and “Country Farm,” “Frankie and Albert” by Mississippi John Hurt, “Crossroad Blues,” “Terraplane Blues” by Robert Johnson and Tommy Johnson’s “Canned Heat.” Rory originals included her best-known song “Lovin’ Whiskey” and “Mama’s Blues,” a melancholy number she wrote at age 24 riding on a train.
“Nothing Dylan ever does becomes less relevant,” she told her sell-out crowd. Neither does she.
POSITIVELY 4TH STREET
… a gripping journey that moves and touches… you rarely hear something like Rory Block’s version. Absolutely outstanding!
Cowboy Band / country.de
Bringing one’s own light to Bob’s repertoire is no mean feat; however, if anybody can perform miracles, it’s Rory Block.
Let It Rock
Rory’s most dramatic performance here - and, arguably ever.
Dennis Bozanski - Baltimore Blues Society
Rory Block enjoys a reputation as a brilliant interpreter of the blues… Block has done more to successfully promote the classic blues than just about any other single artist… Block brings out the blues influence on Blind Boy Grunt through her impassioned renditions of the material.
Pop Matters
Block has cut a wide swath during the past 40+ years in what could be called a one-woman quest for keeping the masters of the acoustic blues alive.
No Depression
Who else but Rory Block would be able to channel the raw essence of Bob Dylan, the soul of Bob Dylan… an amazing achievement that shines a spotlight on two American musical icons… inspired arrangements, stellar guitar work, deeply emotional vocals that grab at your heart and reach down into your soul. Truly inspired release that goes full circle for two iconic singer-songwriters, from the streets of Greenwich Village, thrust onto the world stage, blazing trails across the musical landscape that will have ever-lasting influences, award-winning artists whose popularity has criss-crossed decades and never waned.
John Muller - Blue Notes and Conversations
As she always does, Rory Block brings to this record the kind of vision that does much more than reflect back on the words of the most important and intellectual songwriter of the last six decades. A legacy herself, she provides guitar backup that translates her inspiration with the material into a work that once again proves her stature as one of the best traditional guitar players in blues or any genre.
Blues Music Magazine - Don Wilcock
While the songs herein are among Dylan’s finest, the adaptations and arrangements are 100% Rory Block… steeped in the blues... I love the way that Block arranges them into haunting Blues infused acoustic Folk songs that intrinsically become Rory Block songs, no more and no less… I will always have Rory Block’s fabulous re-inventions when I need something articulate and heartbreaking in my life.
The Rocking Magpie - UK
Block’s vocals are a perfect fit with Dylan’s tunes and her guitar playing, of course, is icing on the cake… Positively 4th Street – A Tribute To Bob Dylan- will satisfy Rory Block and Bob Dylan fans, and possibly steer a few newcomers to Dylan’s expansive music catalog in the process.
BluesBytes – Phoenix Blues Society
… deep feeling and loving enthusiasm… searing slide… Block highlights the blues that lie at the heart of Dylan’s songs, and honors the artistic roots that both share.
Melanie Young - Living Blues
Here, she turns her attention to Bob Dylan’s songbook, delivering nine fine covers that capture the spirit of the originals while adding something new.
Jeff Burger
AIN'T NOBODY WORRIED
Rory Block celebrates women of American song with musical perfection in “Ain’t Nobody Worried”
Jim White- Blues Roadhouse
“Rory Block remains one of the planet’s premier purveyors of acoustic blues.”
Jimmy Leslie- Frets Editor at Guitar Player
“Contemporary Soul and Blues Songs Stripped Back to Bone and Gristle... Selecting a single Favorite Song is virtually impossible; as this is ‘all killer - no filler’ with not a single dud to be found anywhere... Rory Block’s arrangements here are magnificent...”
The Rocking Magpie- UK
I’ve seen Rory Block perform many times. I’ve listened to her albums even more. I’ve never ceased to be amazed at her talent... Those few paragraphs above don’t really do justice to this excellent Rory Block album. You know, “words can’t begin to describe,” and all that. The results are impressively imaginative, highly creative and, best of all, thoroughly enjoyable.
Jim White- Blues Roadhouse
“… an artist at the top of her game... an impassioned take on 11 songs... intense vocal deliveries that approach the level of a primal scream... Love Has No Pride is a mind-altering trip... Etta (James) and Block are sisters of another mother... (Rory Block) shares her emotions garnered from those intense memories on this incredible album”
Don Wilcock
Seven-time Blues Music Award winner Rory Block makes magic happen just by playing the songs she loves on her new album Ain’t Nobody Worried... Rory Block is the best there is at what she does and Ain’t Nobody Worried is the pure soul medicine so many of us need right now. Spin it once and let your healing begin.
Mike O’Cull- Rock and Blues Muse
"Rory Block is considered by many to be the finest acoustic blues interpreter alive today."
Mike O’Cull- Rock and Blues Muse
Anyone familiar with her long career knows that she has the musical genius to pull it off, and she does... Rory Block came up with a brilliant concept with Ain't Nobody Worried.
Bill Mitchell- Blues Bytes
Block delivers the goods once again… She is a force to be reckoned with in acoustic blues. Here we have another super set of tunes that will garner all sorts of accolades because the work here deserves it. Kudos to Rory for another exceptional celebration of Women of Song.
Steve Jones- Crossroad Blues Society
AIN’T NOBODY WORRIED arrives like a box of firecrackers that immediately kick the insides into high gear in a way that only songs like this can really do… every song is a highlight, whether it’s the stunning “Fast Car” or early classic “Freight Train.” Everything is played with total sonic finesse…
Bill Bentley- Bentley’s Bandstand
“I’ll Take You There” soars to open, giving way to “Midnight Train to Georgia,” “My Guy” and “Fast Car.” Other pleasers include “Cried Like a Baby,” “I’d Rather Go Blind,” “Lovin’ Whiskey,” “Dancin’ in the Streets” and “You’ve Got a Friend” – all of which feature joy in every groove.
Chicago Blues Guide
There’s always a feeling of immense anticipation when Rory Block releases a new album. Her latest, Ain’t Nobody Worried, does not disappoint… Christmas came early, and this album is a forever celebration.
Parcbench
With more than three dozen albums spanning a 55-year career, Rory Block has certainly proved her proficiency as far as being a superb singer-songwriter and a multi-faceted musician… Ain’t Nobody Worried is a timeless tribute to some exceptional artists…
Lee Zimmerman- Living Blues Magazine
Opening with a masterful version of the Staples Singers' "I'll Take You There", this collection continues in gospel soul... which Rory herself provides with a confounding brilliance… superb rendering of the guitars… masterful versions of Koko Taylor's "Cry Like A Baby" and Elizabeth Cotton's "Freight Train" (with impeccable picking).
Paris Moves (translated from French)
An album full of a delicious magic, where Rory shows her most intimate facet but, at the same time, full of consistency giving the best of herself… Of course, Rory Block sounds as attractive and intense as usual.
La Hora Del Blues- Spain
PROVE IT ON ME
... using her platform as the reigning queen of the blues, Block is swooping in to pick up the slack. With her shimmering slide guitar, she takes the oldest, obscurest stuff she can find and breathes such life into it... this is a hot, in the moment set that just plain kicks ass with it's glorious simplicity putting the gals of the blues front and center with the spotlight burning bright.
Chris Spector- Midwest Record
A WOMAN'S SOUL
... all Grammy voters within the view of my words ought to make a point of moving down the ballot to the blues category this year and giving Block the sugar that belongs in her bowl. Killer stuff. The mantle has been passed to the new empress of the blues.
Chris Spector - Midwest Record - Chicago
... on this acoustic masterpiece, Block does everything herself... All this proves that Block, like Smith, is an important "Power Woman of the Blues". She is a strong contender for the most influential acoustic artist of our time.
Making A Scene
Rory Block is an interpreter par excellence... she has an uncanny ability to capture the essence of the original while letting her own artistry shine through. Her voice comes with its own, instantly identifiable survivor's rasp, and her guitar work is equally stunning. There is no doubt that someday there will be many a tribute album to the great Rory Block.
Parcbench
... ten gorgeous performances in settings that shine new light on Bessie's songs... a remarkable tribute to Bessie Smith.
John Valenteyn - Toronto Blues Society
KEEPIN' OUTTA TROUBLE
Aurora shines brightly on the sixth in the series of her tributes to the blues masters... She's at the top of her game here. Killer stuff.
Chris Spector - Midwest Record - Chicago, IL
The sixth and latest installment is Rory's stellar "Mentor" series... this could be the best of them all... breathtaking series... Passionate performances... excellent liner essay... Rory Block's Keepin' Outta Trouble a must-have for country blues fans...
The Rock Doctor - Canada
"Indisputably, Rory Block is one of the most impressive contemporary blues artists. Rooted so deeply in country blues traditions, Block can't be anything but authentic... An exciting album from start to finish... Block enlivens these performances with a balance of passion and precision... Her voice is magic, and her approach to blues guitar is clean, restrained, and just damn fine beautiful. Keepin' Outta Trouble: A Tribute to Bukka White is an excellent album."
Donald Teplyske - Fervor Coulee
"Keepin' Outta Trouble unfolds as a piercing one-act play distilling the bluesman's oft-harrowing biography into a series of indelible, penetrating scenes. The unembellished sonics enhance the intensity of Block's performances while underscoring the raw power of White's lyrics. In conception and execution, Keepin' Outta Trouble: A Tribute to Bukka White succeeds as a heartfelt remembrance on Rory Block's part, whose guitar playing is as assured as ever but whose vocals are coming from an even deeper place than those we've heard on her other albums and as a daring conceptual approach rarely heard in the blues world."
David McGee - Deep Roots Magazine
HARD LUCK CHILD
"Rory Block has won many awards and accolades from the blues community over the last few decades; her Mentor Series makes it plain to see why. She is both master and student of the country blues genre. As she says in her liner notes, "While the rest of the world was busy with modern things, I wandered down the dusty path towards the past in bare feet." A truer portrait of Block's music could not be painted... On each of the Mentor Series albums, strains of country, blues, and gospel come through Block's fingers, guitar, and voice as if she'd been selected by the blues Gods themselves to preserve and protect a disappearing tradition. What Block does here is not new, but it is masterful. She knows the terrain; she is fluent in the language."
MINOR 7TH
"The fave sexy senior of any blues fan with a pulse turns the clock back 50 years once again for another tribute to the blues masters she spent actual time with back in the 60s when she was a wild child on the run soaking it all up. Certainly another awarding winning date from Block, this rollicks with the spirit of her honoree Skip James like it's all happening real time right now. One of five of the best lessons you could get in the history of traditional blues, Block is the best teacher there is. Killer stuff that doesn't quit coming, this lone girl and her guitar underscore the meaning of less is more better than Mies Van de Rohe ever could. Hot stuff throughout."
CHRIS SPECTOR - MIDWEST RECORD, CHICAGO, IL
"Rory Block is simply one of the finest living interpreters of vintage acoustic blues, a guitarist who understands both the technique and the spirit of the great country blues artists of the '20s and '30s... Block's guitar work on this album is typically splendid... engineer Rob Davis does excellent work here giving Block's guitar and vocals an intimate presence that suggests an updated, hi-fidelity version of James' 78s for Paramount."
ALL MUSIC.COM
AVALON
"This is the fourth in her Mentor Series... Were this all she had ever done, her place in Blues history would be secured forever... No one, short of the masters themselves has ever played this music with the power and passion that Rory Block plays... Avalon is a modern masterpiece."
BILL WILSON - REFLECTIONS IN BLUE
"... yet another masterclass from a lady who deserves to be called 'the first lady of the blues'.
MICK RAINSFORD - BLUES IN BRITAIN
"Another in the continuing line of masterpieces from Rory Block... The strongest contender, by far, for Best Blues Tribute Album 2013... "
JOHN VERMILYEA - Blues Underground Network
"... one of the finest guitarists of her era... Block's guitar work is, as always, phenomenal..."
Friday Blues Fix
"... Among the names Ma Rainey, Bessie Smith and Sippie Wallace, Rory Block stands among the great women of the blues."
BILL HURLEY - The Alternate Root Magazine
"Rory Block is one of America's greatest treasures..."
ADRIAN BLACKLEE - BLUES MATTERS
"... a modern masterwork... she has succeeded brilliantly... Avalon is flawless, alive, full of joy and passion..."
BARRY KERZNER - American Blues Scene
I BELONG TO THE BAND
"... liberating and exhilarating... nothing short of triumphant... she touches the guitar (and the songs themselves) with the carefree confidence of a modern-day master."
GREG VICTOR - Parcbench.com
"... uniformly top-notch... unsparingly hard-edged in its engagement with Christian celebration and blues despair. The two are fused uneasily, and to chilling effect... Block cuts deep and rises high."
Rambles.net
"... 100% on the mark... As far as I'm concerned, this is the pinacle of the woman's career... It may be that Rory Block has redefined what it means to pay proper tribute to the elder masters... hauntingly accurate, soul deep, and moving... the bar has been raised significantly..."
MARK S. TUCKER - FAME
"...considered to be the foremost female authority on playing pre-WWII country blues... unbridled passion and emotion... I Belong To The Band is one of her crowning achievements!"
SHERYL & DON CROW - NASHVILLE BLUES SOCIETY
Rory Block is one of the finest guitarists in the world, bar none... This CD is a beautiful piece, immaculately played and delivered with power, authority and a love that is obvious from beginning to end... This is gospel at its finest... A masterful guitarist and superb vocalist… a level of passion seldom captured on a recording...
BILL WILSON - BILLTOWN BLUES SOCIETY
"A real triumph... If contemporary acoustic country blues guitar picking is your thing you gotta hear this disc, it comes with a big thumbs up from me."
PHIL WIGHT - Blues & Rhythm magazine (UK)
SHAKE 'EM ON DOWN
"It’s simply a killer by a player at the top of her game. Hot stuff throughout."
CHRIS SPECTOR - Midwest Record - Chicago, IL
“The name Rory Block is synonymous with the word legend in the world of blues... She’s revered for her talents, she’s critically acclaimed...”
MUZIKREVIEWS.COM
“... yet another brilliant release from Rory Block, one that pays tribute to a Legendary Artist by an Artist who is certainly heading in the direction of legendary status, herself.”
JOHN VERMILYEA - Blues Underground Network
“Block has incredible vocal range... she digs down to the depth of her soul... she conveys so much emotion that you can believe she not only understands what the originators felt, but she’s experienced the same feelings.”
JEFF JOHNSON - Chicago Sun-Times
“Shake 'Em On Down is sexy and salacious... Block spits out the lyrics with a passion... driving guitar groove... another fine addition to Block's growing catalog of tribute discs."
MARK SMITH - Bluesource.com
"... This is a woman who continues to amaze. She has won many awards and I expect her to win more with this excellent offering."
JERRY W. HENRY - Tannehill Trader Monthly - Birmingham, AL
BLUES WALKIN' LIKE A MAN
"... as feisty, fierce and compelling as the masters she honors and interprets... Haunted and hallowed, Block's performance is nerve raw throughout, cutting vocally and instrumentally through the years, into your soul."
Mike Jurkovic - The Folk and Acoustic Music Exchange
"... truly haunting... as deep and personal as authentic blues gets... extreme passion and depth... A most highly recommended recording..."
Michael G. Nastos - All Music Guide (allmusic.com)
"... The tension between Block's searing guitar work and the pain in her voice is so palpable you can only echo the query made by Son himself after he first heard her perform: "Where did she learn to play like this?'... Close to the earth and close to the heart, that's Blues Walkin' Like A Man, yes indeed."
David McGee - The Bluegrass Special
"...Rory Block interprets 13 of Son House's most powerful blues songs... imbuing them with the visceral quality of the master, himself, channeling that energy through both her vocals and searing guitar playing."
Top40-charts.com
“... Block’s one of the finest acoustic blues performers going... She’s also a first-class guitar player and treats this stuff as fire and brimstone, Old Testament tablets, not to be trifled with.”
Bob Mersereau - Telagraph Journal
"... powerful... fiery... Blues Walkin' Like A Man is a loving tribute by Rory Block... If there's justice in the world, not only will this disc reap benefits for Ms. Block, but it will also turn on a new generation of blues fans to one of the most powerful and influential blues guitarists ever."
Graham Clarke - Blues Bytes
"... The album brims with tasty slide playing and thumping strumming, but Block's ability to vocally channel the haunting origins of this music is as moving as her guitar work."
Shawn Hammond - Guitar Player Magazine
"... passionate guitar playing... vocals that have been described as "otherwordly"... she is pure Americana, purveying our nation's roots music with an uncompromising passion matched by few others."
Fred Adams - An Honest Tune (anhonesttune.com)
“... a stunning new release from blues traditionalist Rory Block... amazing guitar licks and emotive, wrenching vocals...
Jim Hynes - Elmore
“... otherworldly... downright sexy... posessed by that same indescribable spirit of the original Delta bluesmen... Today Rory is certainly regarded as the foremost interpreter of traditional country blues... an absolutely mesmerizing tribute.”
Jim Hynes - ADC Media Guide
“...Rory Block represents blues royalty... One of the most skilled acoustic guitarists in any musical genre... vision... inspiration... a scholar’s knowledge and a poet’s approach...
Rev. Kieth A. Gordon - AboutBlues.com
“... With this tribute, Block has unlocked the very essence of the blues.”
Michael Verity - Blues Revue
“... beautiful... harrowing... I have Son House’s “Death Letter” album (1965) on vinyl, and ‘Blues Walkin’ Like A Man’ gives the same feeling of being surrounded by uneasy ghosts... you’ll love this album... ‘Blues Walkin’ Like A Man’ is THE blues album of ‘08.”
John Kereif - rosslandradio.com Rossland, BC
"... spine-tingling... Rory Block more than honors Son House's memory: she sets the standard for acoustic blues tribute records."
Eric Steiner - Washington State Blues Society
"...what might surely be one of the highest notes of her brilliant career... immense knowledge and expertise of the Acoustic Guitar... a voice that can rival any of her peers... You will truly not see it done much better than the way Rory Block plays it."
John Vermilyea - Blues Underground Network
"...a force to be reckoned with... She has become one of the world's most recognized female guitarists, musicians, and interpreters of Delta Blues... There is no one on the planet who could top the originals, period... "
Ben Cox - Juke Joint Soul
"... the feeling is of being in a Baptist church... a graveyard mojo of Block standing at the crossroads wearing a long black veil... Rory can sing gospel with the best of them... if you are looking for a time portal to go back into the era of levee camps and field hollers, where true acoustic blues predated electricity, Rory Block can take you there."
Gary Weeks - Illinois Blues Society (IllinoisBlues.com)
"... a collection of interpretations that highlight the brilliance of both the teacher and the student... channeling Bessie Smith at midnight, Block doesn't so much as sing as impart eerie invocation..."
Buzz McClain - NO DEPRESSION
“Rory Block’s tribute to the blues pioneer Son House reflects an intimate and savvy awareness of her tie to a blues genius. Rather than merely paying homage to her mentor, Block performs 13 of her teacher’s songs imbued with her own brand of slashing slide guitar virtuosity and fiery vocal pyrotechnics.”
THE CHRISTIAN SCIENCE MONITOR
"Rory Block's life-long involvement with the blues has reached a new high point with this release."
System Records (systemrecords.co.uk)
"Rory Block, long one of the finest contemporary interpreters of traditional Delta blues, devotes this intense and compelling CD to the songs of Son House..."
Mike Regenstreif - Montreal Gazette
"Block has quietly been making some of the best music of her career the past few years."
VILLAGE RECORDS (www.villagerecords.com)
“... Rory Block is a brilliant, talented musician whose vocals and guitar prowess are perfectly suited to bring Son House's music to a wider audience. Do yourself a favor and check out "Blues Walkin' Like A Man" today!!
Sheryl and Don Crow - Music City Blues Society
"Technically flawless... a time capsule of Son House and his music..."
Turbula Music (turbula.net)
"A 1965 meeting between House and the 15-year old guitar prodigy set Block rambling down the blues highway, a trip that has brought the artist international recognition and five Blues Music Awards..."
Rev. Keith A. Gordon - AboutBlues.com
"Traditionally minded modern-day blues empress..."
Elderly Instruments (www.elderly.com)
Earlier Reviews
"If you like music steeped in tradition and genuine feeling, this is your woman."
People Magazine
"Her playing is perfect, her singing otherworldly as she wrestles with ghosts, shadows and legends."
The New York Times
"A living landmark, the finest contemporary purveyor of the Mississippi Delta Country Blues tradition of which (Robert) Johnson was the leading exponent."
Berkeley Express
"Rory Block has become one of the world's most important preservers of the roots of American music.. she has become a national treasure in the form of an uncompromising mature blues artist."
Guitar Extra
"Today she is widely regarded as the top female interpreter and authority on traditional country blues worldwide."
The Blues Foundation
"Rory Block has been an inspiration to me since we started out years ago. Her guitar playing, singing and songwriting are some of the most soulful in traditional and modern blues."
Bonnie Raitt
"One of today's great exponents of Delta Blues guitar.. playing and singing styles so true to Delta tradition that they might have been honed on the banks of the Mississippi.. the finest effort of the guitarist's distinguished career."
Guitar World
"Rory's superb renderings display her deep passion and instinct for historic preservation.. Her fierce acoustic attack- body pounds, potent bass-string snaps, precision rhythms- recall the great Willie Brown."
Guitar Player
"Female sensitivity sheathed in steel.. pure thunder. She's spellbinding!"
Cash Box
"Singing as if every syllable were filled with an explosive charge, she makes traditional blues tunes sound menacing, ecstatic, redemptive, and, most important, as if they were her own."
Boston Phoenix
"One of America's foremost Country Blues torchbearers, she's a breathtaking slash-'n'-burn guitarist and a supremely soulful, sexy vocalist."
Albany Times Union
"..she has created an approach that is so distinguished, so forceful and yet so subtle that it can only be called inimitable.. She's a one-in-a-million interpreter."
Seattle Post-Intelligencer
"..masterful guitar playing..majestic..a one-woman chorus."
USA Today
"Rory Block has emerged as one of the best blues performers of her generation. But her talent and musical interpretations take her way beyond this or any other single realm of expression.. This mature, passionate artist is the real deal!"
Album Network - Burbank, CA
"Block can be counted among the 'modern' masters of the blues.."
Telegram & Gazette - Worcester, MA
"Rory Block is not only one of the finest contemporary exponents of Country Blues guitar playing, but she is a well-rounded artist with depth, vision and feeling."
RELIX - Brooklyn, NY
"From its first slide note to its last guitar strum, Confessions of a Blues Singer provides a heavy dose of the real, raw Delta blues... Block rips into the primal sound of the traditional folk-blues she cut her teeth on. The result is an acoustic tour de force... Block is absolutely hypnotic in her focused fervor... This album proves that Rory Block is one of the greatest living acoustic blues artists and that she can hold her own with the legends who inspired her."
Blues Revue
"Some of the most singular and affecting Country Blues anyone, man or woman, black or white, old or young, has cut in recent years."
Rolling Stone